Dupin’s poetry, beginning with his first collection in 1950, earned him a parallel rank among France’s postwar avant-garde writers. It’s terrible.’ ” He explained the process he used in making such calls, then added, “When the fake is good, my job is interesting.” Dupin scrutinized the painting’s colors, its signature, its composition, its brush strokes,” The Times wrote. An article in The New York Times described him examining one piece, valued at $50,000. Dupin made a well-publicized visit to New York to judge the authenticity of several paintings said to be by Miró that were scheduled for auction. Dupin was empowered by Miró’s family as the only person authorized to authenticate his work, which had become the frequent target of fraudulent copiers. ![]() He wrote Miró’s official biography and over 10 volumes of catalog monographs on his work. ![]() Dupin’s closest relationship among artists was with Miró. The American poet John Ashbery, another friend, translated a seminal monograph written by Dupin in 1961 about Giacometti, which was published in English in 2003. Bacon and Giacometti painted his portrait. ![]() Dupin was for a long time one of the directors of the renowned Galerie Maeght in Paris, which represented Joan Miró, Marc Chagall, Alberto Giacometti, Francis Bacon, Wassily Kandinsky and other modern artists.Īs both a poet and an art dealer, he had a wide circle of friends. He was 85.įamily members who confirmed his death said he had been ill for several years. Jacques Dupin, a poet, art critic and cultural eminence in France whose influence straddled the avant-garde literary world and the commercial market in paintings and sculptures by major 20th-century artists, died on Oct.
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